Catwoman (DC) V2 1-75 [Review]

Thursday, October 9th, 2008

I’d heard great things about the Catwoman revamp from Darwyn Cooke and Ed Brubaker (Cooke only stayed on for the first four issues, but redid the costume and logo, while Brubaker did 3 years worth) a long time ago, and I’d even bought the first trade, but it hadn’t struck me as all that special. Nothing bad, just not so interesting.

Then, for whatever reason, years later, I decided to give it another chance last month, starting with the first 24 issues.

I kept reading after that, all the way to the end.

The early issues of Catwoman take away a lot of the super powered insanity you see in the other Batman universe titles; it’s not about super heroes or villains here, it’s about Selina Kyle and her friends. More character driven then superhero driven.

It works. It feels different, but as you read more and more, you’ll really like the difference in storytelling.

This is the reverse of the Batman titles. I’ve been unhappy with the Batman series’ for a long time, and this especially hurts because I’m such a big Batman fan. I think Batman, whose appeal partly lies in the fact that he seems to be the most realistic of the superheroes (You could be like Batman if you were in similar situation, while you could never be Superman), is very unrealistic. Batman is supposed to be a “What If” in an extreme situation, what could happen. Yet, when you see so many people in masks just being super villains or heroes, it doesn’t feel like the extreme created a Batman, that’s just how things are.

In Catwoman, though, Brubaker keeps a realistic feel to it, though I’m not sure that’s quite the right word. It just seems smarter, and not for your average teenage reader. You feel like you’re delving more into each character, rather than watching them fight all the time. You’ve got Selina Kyle, her best friend Holly, noir detective Slam Bradley- the focus is always on them as people. There’s something that you can identify with and understand.

Unfortunately, as Brubaker ends his run, this focus, and the quality, go away as well. While there are some interesting plotlines over the next 40 issues, with Will Pfeifer primarily in control, Catwoman slowly becomes like every other comic- event driven, not character driven. It feels like a generic superhero comic. The Catwoman series was cancelled in mid-arc earlier this year, but once you get to issue 75, you can understand why- it’s not so bad, just not good.

My recommendation: Follow Brubaker’s run from in issues 1-33 (the Wargames issues are worthless, though that’s probably how I feel about all crossovers), after that read until you find it boring. There’s no recovery in quality over time, it just falls away.

Some of the covers from the series (software courtesy of ComicRack- not ComiCrack)

 

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Batman Gotham Knight (DVD) [Review]

Friday, July 4th, 2008

Batman Gotham Knight is to the upcoming Dark Knight movie what the Animatrix was to the Matrix movies: sharp, anime inspired animated shorts featuring different takes (from different creative talents)and different stories surrounding the subject material. (by the way, isn’t it great that for once, a sequel doesn’t add on to the original’s name for franchising/marketing reasons? Batman Begins: The Dark Knight would be bleh.)

The visual look varies throughout each short (each about 12 minutes long), some feel more anime inspired than others, but overall you very high production values, fluid animation, good CG. The look in terms of the style is definitely not related to the Batman: Animated Series, and whether that’s good or not is up to your personal style.

The DVD is all new material and is meant to be, in at least a superficial sales-boost way related to the Dark Knight movie- they’re both released in the same week or so. David Goyer, one of the screenwriters for Batman Begins, writes one of the stories, a look at Scarecrow post-Begins storyline.

For me, the stories didn’t really excite me. The presentation is extremely stylish, but there’s no real depth to the characters or actions. You don’t really learn anything that’s important to the core of the characters, showing a new side of Bruce Wayne or Batman. If I were to compared these to the Animated Series, these stories would rank in the middle, basically be average or perhaps slightly below average episodes.

I would have preferred stories from Paul Dini and Bruce Timm, the big driving forces behind the Animated Series, even though you’ve got a lot of big names associated with this project.

I think kids will like it because of the flash and action, but the violence is more bloody than what you’d find with a TV cartoon.

Worth a rental, but that’s it.

If you really want to see quality, check out Batman: Mask of the Phantasm (still in my mind, the best Batman movie) or of course, the Animated Series.

More information and the trailer follows:

From: http://www.warnervideo.com/batmangothamknight/

Batman Gotham Knight is a fresh and exciting new entry into the Batman mythos, spinning out of a 40-year history in animation including the Emmy®-winning Batman: The Animated Series, widely considered a pivotal moment in American animation.

Six standalone chapters, each with stylish art from some of Japan’s greatest anime visionaries, weave together into a larger story that follows Batman through his transition from beginner to The Dark Knight.

Chapter-by-Chapter Synopsis

In “Have I Got a Story for You,” Academy Award-nominated screenwriter Josh Olson (“A History of Violence”) tells the story of how chance encounters with Batman by a group of youngsters leave each kid with a very different impression of the Dark Knight.

In “Crossfire,” acclaimed novelist/comics writer Greg Rucka tells the story of Gotham City police having to get over their distrust of Batman – while under fire from the mob.

In “Field Test,” writer Jordan Goldberg showcases the incredible high-tech arsenal Batman commands and reveals that there are some things even Batman won’t do in his pursuit of justice.

“In Darkness Dwells” takes Batman into the Gotham sewers to face “Killer Croc,” a deformed thug who seems even more monstrous after the Scarecrow, and his fear toxin, makes a resurgence, in a story by David S. Goyer, co-screenwriter of “Batman Begins.”

Award-winning comics writer Brian Azzarello explores an early chapter of Bruce Wayne’s training in “Working Through Pain,” showing how a mysterious and exotic Indian woman named Cassandra introduced Batman to techniques that would help him to conquer the physical and spiritual consequences of what he does.

Finally, in “Deadshot,” four-time Emmy Award-winning writer Alan Burnett ties together threads from all the Batman Gotham Knight chapters, as Batman must thwart an unerring assassin whose love of guns and disregard for human life lets him cross lines that even a Dark Knight shies away from.

video814b414acad3 Batman Gotham Knight (DVD) [Review]
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More Buying Enjoyment (EBay)

Monday, November 12th, 2007
  1. Fables 9 TPB Lot (Read, Excellent Condition), $63 Shipped:

    1. Vol 1 Legends in Exile

    2. Vol 2 Animal Farm

    3. Vol 3 Story Book Love

    4. Vol 4 March of the Wooden Soldiers

    5. Vol 5 The Mean Season

    6. Vol 6 Homelands

    7. Vol 7 Arabian Nights

    8. Vol 8 Wolves

    9. Jack of Fables

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  2. The Punisher 13 TPB Lot (Read, Excellent Condition), $63 Shipped:
    1. Punisher/Wolverine Crossover
    2. Punisher vs Daredevil
    3. Punisher vs Bullseye
    4. Very Special Holidays
    5. Punisher presents Barracuda
    6. Punisher Max Series
      1. Vol 1 In The Beginning
      2. Vol 2 Kitchen Irish
      3. Vol 3 Mother Russia
      4. Vol 4 Up Is Down Black Is White
      5. Vol 5 The Slayers
      6. Vol 6 Barracuda
      7. Vol 7 Man Of Stone
      8. Vol 8 Widowmaker
  3. McFarlane Reggie Miller Figure, $13.40 Shipped

    1. 1189024402.5255 thumb More Buying Enjoyment (EBay)
  4. McFarlane Baron Davis (Loose): $6.98 Shipped

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  5. Nike Kobe Bryant Air Zoom Tee, $18.50 Shipped

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  6. Nike Lebron James Tees (2, Used), $12.50 Shipped

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  8. Halo 3 Tee, $45.07 Shipped

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